In Ana y las Romanoides (o de las telepatías transaurales), Ana María Romano G. redefines digital distortion and pushes it beyond 11. Slow and tense synthetic pulses and noise waves are met with reality, as captured in the artist's field recordings around the various struggles of women in Colombia. Created during the COVID-19 pandemic, the music reminds us our place at the brink of destruction.
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En Ana y las Romanoides (o de las telepatías transaurales), Ana María Romano G. redefine la distorsión digital y la empuja más allá del 11. Los lentos y tensos pulsos sintéticos y las olas de ruido se encuentran con la realidad, capturada en las grabaciones de campo de la artista sobre las diversas luchas de las mujeres en Colombia. Creada durante la pandemia del COVID-19, la música nos recuerda nuestro lugar, al borde de la destrucción.
1. En la mitad de la nada y en el borde de la piel V2 (26'21")
Online concert: Jefferson Park EXP (Chicago, United States), October 11, 2020
Author: Ana María Romano G.
Recording: Keith Helt
2. A mundanear que el mundo se va a acabar (21'03") Online concert from the Streamingfest III of Ciclo Ruido and TVL REC (Buenos Aires, Argentina), May 16, 2020
Author: Ana María Romano G.
Recording: Carlos Eduardo Quebrada Vásquez
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